Aux In Omnisphere 2 Controls All

Since its announcement at NAMM 2015, Omnisphere 2 has been a source of excitement. In case it all got lost in the noise, here's a video of Eric Persing previewing its features.

Spectrasonics are synonymous with high-quality sound design instruments. I was a big fan of Atmosphere, which was then succeeded by Omnisphere… which was so huge and expansive it its sonic capabilities, we all questioned whether it’d be possible to explore all it can offer in one lifetime!

Improving on the universally lauded Omnisphere must have felt like an impossible task, but Spectrasonics has truly outdone itself with version 2. Not only does it improve on the original, it takes it into an entirely new - ahem - sphere. The original Omnisphere took the 'samples and synthesis' approach to sound creation dating back to 1987's Roland D-50 and reinvented it for the 21st century. The new features in Spectrasonics Omnisphere 2 will have sound designers, film composers and electronic music producers salivating! Omnisphere 2 now allows users to import their own audio-files and create all original textures and sounds with the new granular synthesis algorithm added to.

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Well, after many years of development, Spectrasonics are releasing Omnisphere 2.0 on April 30th 2015 for $499 US / 399€ Euro.

And yours truly is most excited about importing audio!

Here’s just a little of what Omnisphere promises:

Vast New Synthesis Possibilities:

Spectrasonics

  • Audio Import - Use your own audio file as a soundsource in Omnisphere
  • Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
  • Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
  • Powerful New Granular Synthesis algorithm
  • Deeper FM/Ring Mod capabilities for aggressive timbres
  • 8 New Filter Types - New Power Filters, Vowel, Resonators
  • New Unison Drift models Analog Polysynth behavior
  • Expanded Modulation with new sources and many more targets
  • Polyphonic LFO and Modulation Envelope options
  • Soundsource Reversing

Now includes over 10,000 sounds!

  • More than 3,000 New patches and soundsources from acclaimed Spectrasonics Sound Design Team
  • New Omnisphere EDM library with cutting-edge, modern sounds
  • New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
  • New category of Phrase-based Soundsources for granular synthesis
  • Hundreds of new Circuit Bent Soundsources
  • Many Innovative new Psychoacoustic Soundsources
  • New Melodic Cave Stalactites Soundsources
  • …and much, much more!

New Interface:

  • Redesigned Wider User Interface with many improvements
  • New Show Modulation pane opens modulation routings/sources on left side
  • New Mini-Browser available at all times
  • Larger Full Browser Design

Enhanced Browsing Experience:

  • Sound Match™ feature instantly locates any related sounds in the library
  • Sound Lock™ allows endless useful variations by locking sound aspects while you browse
  • Easy Sound/Project Sharing for collaborators and third party libraries
  • Greatly Improved sound organization system
  • Fast Progressive Loading allows rapid auditioning
  • Browse Patches by Mood
  • Expanded Genres
  • Browse by Oscillator type
  • Boolean search options

New Arpeggiator Features:

  • Note transposition for step seq-style patterns
  • Arp pattern lock while browsing
  • Speed Offset control allows slow down/speed up effects
  • New modulation capabilities

25 New FX Units:

  • Innerspace
  • Quad Resonator
  • Thriftshop Speaker
  • Classic Twin
  • Bassman
  • Hi-Wattage
  • Rock Stack
  • Brit-Vox
  • Boutique
  • San-Z-Amp
  • Stompbox Modeler
  • Metalzone Distortion
  • Toxic Smasher
  • Foxxy Fuzz
  • Analog Phaser
  • Analog Flanger
  • Analog Chorus
  • Analog Vibrato
  • Solina Ensemble
  • Vintage Tremolo
  • Envelope Filter
  • Crying Wah
  • Stomp-Comp
  • Precision Compressor
  • Studio 2-Band EQ

Flexible New FX Features:

  • 16 FX units per patch
  • Full matrix modulation of every FX slot
  • New Aux FX rack per patch with Pre/Post fader sends
  • Hundreds of New FX Presets and Racks
  • Lock FX while browsing

Improvements/Special Features:

  • Live Mode with key splits
  • Enhanced Orb with Attractor mode
  • Tweak Trilian Custom Controls Interface inside Omnisphere
  • Global Clock Speed (Halftime, Doubletime, etc)
  • - and more!

PRICING: $499/399€

UPGRADES: See TECHSHOP for details

AVAILABILITY: April 30

WEB: https://www.spectrasonics.net/products/omnisphere-2/

Omnisphere Free Download

Related Videos

Omnisphere 2 Cheap

OMNI TR - Controls

CONTROLS - Introduction

The Controls page features a touch-based pitch ribbon performance controller and 8 touch sliders assigned to templates of the most useful performance/editing parameters for each Omnisphere layer.

The A/B Link buttons at the bottom of the page determine which layer's parameters are displayed and edited. It is possible to select the keyboard range from the Octave Shift Menu in the upper-right.

OMNI TR - Controls - Selecting & Linking Layers

CONTROLS - Selecting & Linking Layers

The Layer Selection Buttons toggle between the controls for each Layer in a Patch. The Layer selection controls will highlight to indicate the selected Layer.

Linking Layers

Aux In Omnisphere 2 Controls All Things

The LINK Button in the center makes it possible to lock the controls of both Layers together. When enabled, any parameter changes made in one Layer will be exactly mirrored in the other.

The LINK Button will highlight when enabled, to indicate that the Layers are linked.

When the LINK Button is disabled, changes made to Layer parameters will only affect the selected Layer.

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OMNI TR - Controls - Control Templates

CONTROLS - Touch Sliders


The Controls page features 8 touch sliders assigned to groups of the most useful performance/editing parameters for each Omnisphere layer. The different groups can be chosen from the drop-down menu above the sliders to set which Omnisphere parameters you wish to control.

Select MIXER (the default template) to set the sliders to control Level, Pan, Filter Cutoff, Filter Resonance, and Aux Sends 1-4.



Select FILTERS to set the sliders to control Cutoff, Resonance, Filter Envelope Depth, Filter Gain, and Filter Envelope ADSR.



Select ENVELOPES to set the sliders to control Amplitude Envelope ADSR and Filter Envelope ADSR.



Select COMBO to set the sliders to control Pitch, Level, Aux Sends 1 & 2, Filter Cutoff, Filter Resonance, Layer Level and Amplitude Envelope Release.

OMNI TR - Controls - Pitch Ribbon & Octave Shift

CONTROLS - Pitch Ribbon & Octave Shift

Pitch Ribbon


The pitch of a Patch can be expressively bent and manipulated from the Pitch Ribbon Controller, which is located along the bottom of the page. This works in a similar fashion to the ribbon controller on a Yamaha CS-80. It can be set to Absolute Mode, where the null point (original pitch) is in the middle, or Relative Mode, where the null point is wherever you place your finger.

Absolute

When you select Absolute Mode, you can cause the Pitch to jump up or down, depending on where you place your finger along the ribbon, in relation to the null point in the center. When you are playing a Patch and touch the Pitch Ribbon, he pitch will change as soon as you touch the ribbon. As soon as you lift your finger, the pitch will return to center. This can be useful for creating trilling effects or to jump up or down before you start bending the pitch.

All

Relative

When you select Relative Mode, you can begin bending the pitch from wherever you place your finger. You can constrain the Pitch Bend range to either +/- 1 Octave, 2 Octaves or 4 Octaves.

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Octave Shift

The Octave Shift Menu is located in the upper-right. The Patch keyboard range can be set from this menu by raising or lowering the overall pitch in one-octave increments. There is a total range of five Octaves.