• Copy Garageband From One Mac To Another Over Wifi
• Copy Garageband From One Mac To Another Mac Computer
• Garageband 11 Download Mac

GarageBand is a great tool for making music on your Mac, but there may well come a point where you want to 'move up' to Logic Pro, which is a much more advanced tool. This course from expert trainer Booker Edwards Jr. Shows you how to do just that and in this six minute video, he explains the process of opening your GarageBand projects in Logic. Today’s Mac Gem doesn't do a lot, but what it does is sure to be a big help to certain users. Apple’s GarageBand is a killer app, but it’s also a huge one—between the application and all.

Cutting and editing music in Garageband is as simple as using the (Command + T) option on your keyboard.

• Oct 09, 2019 Open GarageBand on your iPhone or iPad and then follow these steps to share your song. 1) On the main GarageBand screen (Your Songs) tap and hold the song you want and select Share. 2) Choose Song. 3) Select the audio quality, adjust details if necessary, for artist, composer, and album, and optionally choose a cover image.
• A third method to transfer GarageBand (and other applications) from your old computer to your new would be to use the Migration Assistant application. You can't select individual applications to copy, but you can fairly seamlessly transfer applications from one computer to another.

For instance, you line up the “Ruler,” to the point you want to isolate, and then use the (Command + T) function. You can do this in two separate areas of your workspace, in the “Piano Roll Grid,” or in the regular workspace.

One can also edit the music using the Marquee line within the “Piano Roll Grid.” For example, when you zoom in on the audio file, you can highlight the part of it you want to eliminate down to the tiniest detail.

You simply highlight it by hovering the ‘+’ sign over the Audio Region, clicking and dragging over the part you want to delete and then hit the “delete” button your keyboard. This comes in handy for audio rather than MIDI recordings.

However, you have to make sure that you’re isolating just one track, whether it be a sample, an audio recording, or a software instrument track, etc. You can’t cut and edit more than one piece of music at once. It has to be just one.

How To Undo the Previous Command (Command + Z)

In case you make a mistake, you can always hit the (Command + Z) function to go back to where you were before.

One of the great things about Garageband is that all of the commands used for day-to-day use on the computer are transferable to the software. It’s all fairly intuitive.

Many of the commands that you’ve grown accustomed to as a Mac user are all the same functions for Garageband.

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How To Zoom In And Out (Command + Left and Right Arrow Key)

You can zoom in and out on your MIDI region to see the audio file in more detail by separating your fingers or moving them closer together.

This is especially useful for when you’re trying to edit minute details, that you otherwise wouldn’t be able to see and thus, isolate.

You can also zoom in and out through the (Command – Left or Right arrow key).

Merging Tracks Together (Command + J)

Another incredibly useful editing tool in Garageband is the (Command + J) function, which allows the user to essentially combine or merge the tracks together.

This stops the user from having to copy and paste every little individual track. Instead, one can just merge all of the music together as one track, and then put it on a loop.

To do this, just select the two or more regions you want to combine and hit the (Command + J) function and it will all come together.

It’s a great way of saving time and energy during the editing process.

Using The Cycle Area For Editing

The cycle area on top of the workspace in Garageband is used for repeating the same bar of a recording over and over again. There are a few purposes for this, including practicing a part just before recording, multiple takes, and editing.

For instance, a user can loop the same part repeatedly to judge whether the proper changes have been made during editing.

In other words, if you’ve recorded vocals, and forgot the lyrics during one part and said “um,” or something like that, you can loop the same part over and over again, and figure out what needs to be eliminated down to the last millisecond, without having to press “Play” repeatedly.

You know that Cycle Mode is on when it’s displayed as a yellow trip in the top portion of the ruler. When it’s turned off, it’s no longer yellow.

There are two ways of turning it on and off:

You can press the Cycle button within the control bar, or simply press ‘C’ on your keyboard.

Changing at what point Cycle Mode starts and stops:

Select the top part of the ruler, then drag your cursor to the desired starting and stopping part of the recording.

How to Edit Using The Re-Size Pointer (Trimming)

Another way of editing the music is through the “Resize Pointer,” which is at the end of every piece of the “event,” as Garageband’s “Quick Help” section calls it.

Take the cursor and grab your recording, moving it from side to side, left to right. Using the “Snap To Grid” setting/function allows for the music to literally “snap” back to the line, and thus, stays more in time.

Snap to Grid Function (Command + G)

It’s a lot easier to edit music in Garageband when you have this option selected within the “Edit” menu on the toolbar on top. You can turn this function on and off, by hitting the (Command + G) function.

Essentially, as I mentioned above, what this does is it literally “snaps” the music right back to the lines on the grid, that way whenever you edit a piece of music, it falls back exactly on the beat.

If you want, you can turn this function off and see how difficult it is to edit music in Garageband. It becomes super annoying, however, there are moments where it’s worth your while to turn it off.

How To Copy and Paste in Garageband (Command + C and Command + V)

Once you’ve isolated the part you want, hit the (Command + C) function to copy it, and then the (Command + V) function to paste as many copies of it that you want.

Usually, after I’ve created a melody with the Steinway Grand Piano, I’ll open up a new “Software Instrument” track, and then copy and paste the music into a different instrument track.

This function allows you to fill out your mix, without coming up with an entirely different musical section. In many cases, you can create an entirely different piece of music, just by copy/pasting it onto a new Instrument track.

Another Way Of Copying And Pasting an Instrument Track

1) Select the Audio file you want to copy.

2) Hold down the “Option” key.

3) Drag the cursor to the left or right

4) While holding down the “Option” key, release the mouse and voila, you’ve just copied and pasted a new MIDI region.

Important Things To Note When Chopping Music

Whenever you want to isolate an audio recording, it’s worth noting that it may be helpful to understand at what beats-per-minute the song is, that way you can trim music at a specific beat.

This is especially important whencreating music with samples (link here)

For instance, in a track that I made using the theme song written by Bear McCreary for The Walking Dead, I had to figure out the BPM of the track, that way I could make a different drum track for it.

If you don’t have the proper BPM set up, it’ll be almost impossible to make drums for the song, because nothing will line up, and will sound unsynchronized.

Then, when you try and add other melodies through software instruments and so on, synchronization will be almost impossible. So knowing the Beats Per Minute is essential.

The best way of doing this is just counting along to the song by hitting the table with your hand or bobbing your head along to the beat.

Then, grab a metronome – or use one online, on your phone, or in your DAW – and match the tempo of the song with how fast you were slapping the table.

I’d recommend using a real metronome because they’re better to use, you can read about the one I recommend here.

There are other ways of figuring out the BPM of a song, of course, but this is how I do it.

(Every person knows how to count the BPM intuitively because whenever you’re jamming along to a song by bobbing your head, you move along to the beat. I’ll write a more in-depth article on this topic later).

Moreover, you can check whether you’ve calculated it properly or not through the way the MIDI Region lines up in your DAW.

*There are other options available online, including songbpm.com, and beatsperminuteonline.com. The latter is superior for calculating the beats-per-minute because it’s manual and can be used for the most obscure of music. However, the former is more for commercially available songs.

Using the Score Editor to Fix Your Music (For People Who Can Read Music)

I imagine this topic will be too much for the average DAW user, because frankly, most music producers, especially nowadays, don’t know how to read music. There’s nothing wrong with that, but it’s just the way it is.

1) You can access the Score Editor simply by double-clicking on your music or “Midi Region.”

2) And then go down into the Smart Controls, and click on the button that says “Score.”

In this section, you can edit the music through standard notation. I actually use this every once in a while, because I learned how to read music when I was a kid (although, I’m not nearly as good as I was as a kid).

I usually use it for creating bass lines. Sometimes, it’s harder to hear if your bass line is off-key, so you can either push it up a few octaves so you can hear it or, you can look at the standard notation to figure out if the music is off-key or not.

Naming Your Tracks

If you want to name your track, use the “Secondary Click” function (“right-click,” and that’ll bring up your options where you can see where it says, “Rename Track.”

You can do the very same thing to the actual MIDI Region.

This seems like an obvious one because it is. If you’re going to be making music in a DAW, naming each track region will save you a ton of time, running through each one, trying to figure out which one is the kick and which one is the snare.

Reordering Tracks Through Drag and Drop

By clicking on and dragging the “Track Headers,” Garageband users can actually easily move each software instrument track to and from wherever they want.

For instance, grouping the guitars together, or the kick and bassline. You don’t have to manually move the MIDI Region either; it will move with the Track Header.

Time Quantizing

Rather than dragging and dropping each note so it falls exactly on the grid-lines in the Piano Roll, which is normally what I would do, you can use the Time Quantize function down in the DAW’s Smart Controls.

For instance, if you’ve recorded music with a MIDI Keyboard, and some of the notes are offbeat, using the Time Quantizing function will bring each note to where it needs to be, rather than doing it all manually.

1) First things first, in the Software Instrument track, choose the option “Region,” rather than “Notes,” in the Smart Controls.

2) In your Smart Controls, underneath the setting, “Time Quantize,” select 1/8 Note, and keep your Quantizing strength at around ’75 to 100.’ This should suck in all of the notes accordingly.

Obviously, there are more Timing settings one can use, but this is as far as I’ve ever used the quantizing function.

Some people argue against the use of Time Quantizing, accusing the practice of robbing the music of its “soul.” The argument goes that there are idiosyncrasies and personality traits eliminated from the music through the quantization practice.

For instance, when playing a guitar riff, if something is slightly off-key or not in proper time, the inaccuracy and “incorrectness” of the note may precisely be, the exact thing that gives it its unique flavor.

The Blues Scale, probably one of the most used scales in guitar playing, is the epitome of this. The Blues Scale isn’t classically “correct,” due to its flattened fifth in relation to the minor pentatonic scale, or flattened third in relation to the major pentatonic.

How to Select and De-Select Options Way Faster

This is another one that I just came across. Rather than manually selecting, say, for example, the “Mute” button on a bunch of tracks, and having to go through each one individually, there is a way of hitting all of them at once.

For instance, if I want to hit the “Mute” button on 10 of my 20 Software Instrument tracks, I’ll hover my cursor over the “Mute” button, and then click the track-pad and hold it while I drag the cursor down the screen. This will hit every “Mute” button on the way down.

It’s the same practice for turning them off.

Conclusion

That’s all for now. I hope this helped you out. Be a trooper and share it on social media.

Once upon a time there was a German company called Emagic that created a program called Logic, later to become Logic Audio, still later to become Logic Pro. It worked on both Macs and PCs. It had the reputation of being amazing but with a steep learning curve.

In 2002, Apple bought it and Steve Jobs tasked Dr. Gerhard Lengeling and his Logic development from Emagic with making it more user friendly and also with creating an entry level version, with the result being GarageBand, announced in in 2004. (PC development was unsurprisingly discontinued.) In those days, the two programs did not look much alike or necessarily behave all that similarly, but over time they have become far more obviously related.

Here is a new GarageBand project with one software instrument.

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Here is a new Logic Pro X project with one software instrument when the Advanced Tools are unchecked.

A picture speaks a thousand words, no? With the Advanced Tools turned off, Logic essentially is GarageBand. So if you are a GarageBand user (and most new Logic Pro X users do begin with GarageBand) why bother transitioning to Logic Pro X? There are a lot of reasons. Here are ten of the most compelling.

The Mixer

In a GarageBand project like this I see volume sliders on each track and pan knobs but if you want a full fledged mixer, sorry, you do not have one.

In Logic Pro X you do, available as part of the Main Window, toggled on/off with the key command X, or as a standalone window.

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Which means when you are mixing on the fly and making adjustments in real time, it is far easier. It is also enables you to add the same plug-in to multiple channel strips and easily copy plug-ins from one channel strip to another. While GarageBand users obviously manage to mix music without a full featured mixer window, I can’t imagine mixing a project without one.

The Inspector

Logic Pro has an Inspector that you can easily toggle on/off with the key command I, for each track which allows you to control things that affect regions, channel strips, plug-ins, and what comes next in the signal flow (in this picture the stereo output) or sends if they are instantiated as well as add, remove and alter plug-ins far more easily than GarageBand.

Auxes and Sends For FX Like Reverb

These simply do not exist in GarageBand as they do in Logic Pro X, so if you want to e.g. send a bunch of tracks to the same reverb, it is not doable in a console workflow emulation.

Event List For MIDI Editing

Whether alone or in tandem with the Piano Roll or Score Editor, the Event List shows you details down to the tick level, which is invaluable. It is personally my most relied-on MIDI editor.

Customizable Key Command Shortcuts

The key to efficient workflow in either GarageBand or Logic Pro is using key commands for shortcuts. In Logic Pro, almost everything can be done with a key command and with the exception of a few that are “hard wired”, you can create your own. GarageBand also has a great number of them but you are stuck with the ones they give you.

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Track Stacks

Logic gives you two kinds of Track Stacks: Summing Stacks for creating layered and split patches that you can save in the Library and Folder Stacks for simple track organization. Both incredibly useful, both do not exist in GarageBand.

Take Folders With Swipe Comping For Audio

Go into cycle mode and keep singing or playing your part and you can see all your passes in a Take Folder. You can then simply drag over the sections of each take you like for a comp that you can leave as is, flatten, which lays out the regions for editing, adding further fades, or flatten and merge to create a new audio file. A great way to record audio that again, simply is not available in GarageBand.

The Arpeggiator MIDI Plug-in

You can easily open fantastic arpeggiated parts ranging form the most simple or complex or create your own with all kinds of sounds. Great, great tool, only in Logic Pro.

Drum Kit Designer

While both Logic Pro and GarageBand have the Drummer instrument to help you create great drum parts quickly without requiring much knowledge about what the real guys play, Drum Kit Designer allows you choose between a ton of individual kit pieces to create your own drum kits.

Markers

Quite simply this is the best way to navigate through a project. While both Logic Pro and GarageBand have Arrangement Markers for use with Drummer, only Logic has Markers for navigation that you can name, color, and use key commands to go from one to another or to a specific marker.

These are only ten examples and there are many, many more. That said, please do not think that I am dumping on GarageBand. It is a remarkable program and I have heard terrific music created with it, and it is free. And given the similarities, It is not a coincidence that most new Logic Pro X users come from GarageBand. But it is the difference between a basic tool that is suitable for hobbyists who do not have deadlines to meet, and a full featured program that busy professionals with deadlines and hobbyists who want to up their game can enjoy creating music with. The learning curve from GarageBand is no longer nearly as steep and at $199, Logic Pro X is an incredible bargain. And you can start projects in GarageBand on the Mac or IOS devices and then work on them in Logic Pro X.

If you are a GarageBand user who is serious about creating music, this is a transition worth making.