Izotope Rx Noise Reduction Tips

If you run into signal problems, you have plenty of tools to correct hum, noise, clicks, pops, and other issues (iZotope RX 6 comes to mind), though not a lot beyond global editing (always risky) to save a lousy performance. One assumes the band wouldn't be terrible, or else they wouldn't want you to mix their show for public consumption. Mar 19, 2016 Check out my gear on Kit: This is a 'to the point' tutorial on how to quickly use the denoiser function in Izotope RX5.


In addition to the base version of RX 2, an extended application, iZotope RX 2 Advanced, offers even more precise control over RX 2 algorithms as well as including iZotope's critically acclaimed 64-bit SRC sample rate conversion and MBIT+ dither for professionals who want finer control over processing and delivery.

Izotope Rx Noise Reduction Tips

RX 2 Advanced Exclusives:

  • MBIT+ Dithering panel with full control over dithering options

  • iZotope 64-bit SRCcustomizable resampling

  • iZotope Radiusworld class time-stretching and pitch-shifting

  • Plug-in hosting with VST, Audio Units, and DirectX support

  • Adaptive noise reductionand Advanced Denoiser panel with finer control over the noise reduction process

  • History and Screenshot exportto keep track of your projects

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  • Azimuth adjustmentfor automatic and manual alignment of audio recorded to tape

  • Deconstructpanel to control individual gain of tonal and noisy audio

  • Multi-Resolution Spectral Repairmodes for a wider range of processing possibilities

Note: This help guide is shared by both RX 2 and RX 2 Advanced. When a feature or control is exclusive to RX 2 Advanced it will be noted in the documentation using the following symbol:

Izotope Rx Free

Standalone Workflow

Izotope Rx Noise Reduction Tips Download

  1. Open the audio file in the RX Audio Editor or send it via RX Connect.
  2. Open the Corrective EQ module [Option+Shift+7].
  3. Engage a high-pass filter to remove the most apparent rumble and to make any other static filtering gestures before applying the De-noiser. In this example, we also reduced some of the prominent ‘S’ frequencies around 7 kHz and a tonal component of the background noise around 800 Hz.
  4. Then open the De-noise module [Shift+4]. The De-noise module has two modes: Dialogue and Spectral. We’ll use Dialogue mode for this example.
  5. Inside the Dialogue tab, we can set the De-noise algorithm to adjust automatically (which is used for sounds that vary throughout the program), or we can manually learn a noise profile that the algorithm can reduce constantly across the program. Since this example has steady background noise throughout, we’ll start in Manual mode.
  6. Now we’ll Learn a noise profile by selecting a passage of at least one second of pure noise in your audio and clicking Learn.
  7. The six Threshold Nodes will automatically set themselves based on the noise profile. These nodes represent different parts of the frequency spectrum, and their thresholds can be adjusted (and automated) individually.
  8. Click Preview and adjust settings to the program material, starting with the Reduction slider and then adjusting multiband threshold nodes if necessary.
  9. Once you have arrived at the optimal setting for your audio, click Process.