Omnisphere 2 Parameters
We are happy to announce the release of a major update of our flagship software synthesizer, Omnisphere®. With the new version 2.5, Omnisphere becomes the first software synth in the world to offer a Hardware Synth Integration feature, which transforms over 30 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Nov 10, 2015 In diesem Video zeigt Lukas die Funktionsweise des Sound Lock Features in Spectrasonics Omnisphere 2. Seinen umfassenden Test auf RECORDING.de findest Du unter. Aug 29, 2018 We’re promised sophisticated interactions from a single knob touch - you can recall entire FX racks, assign multiple scaled parameters and create complex modulation matrix routings on-the-fly. Just select your synth of choice from the drop-down menu. May 10, 2011 Hello peeps trying to draw in automation curves panning, filters etc etc in the arrngment page for omnisphere tracks. Cant configure any midi cc messages as it appears the only way to control omnisphere's parameters is to assign them to an external controller.
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Download Spectrasonics Omnisphere 2.4 Final Release download for Mac OS X and Windows + Libray SOUNDSOURCES and patches is a well-known virtual instrument software plug-ins to record, master, mix music tracks and sounds. Download Omnisphere 2.4.0f Crack used by the top recording artists, producers, remixers and film composers on the planet. Omnisphere 2.4 Crack from Spectrasonics is the flagship digital instrument that mixes all kinds of real-time synthesis strategies with an enormous 64GB of library sounds. The STEAM Engine in the latest released Omnisphere 2.4.0 is Free Downloadable.
Omnisphere Software 2.4.0f Requirements:
• Macintosh: OSX 10.10 Yosemite or higher
• Windows: Microsoft Windows 7 or higher
• VST plugin requires host with support for VST 2.4 or higher
• Audio Unit requires host with support for “Cocoa” based AU plugins
Includes the following features and fixes:
• New Standalone application
• Smart Update system enabled
• Remote control loading of patches and multis via MIDI Program Change. CCs or Notes
• “Enter Parameter Value” feature to set parameter to a specific value
• Up to 2X GUI magnification options
• New Modulation sources: “3-Step” and “4-Step” and Unipolar sources
• Adds detents to Arpeggiator Speed knob
• MIDI CC learn and host automation can now be used for parameters controlled by menus and radio buttons
• Increases resolution when using Shift key to adjust knobs/sliders values
• Fixes issue where in Logic 10.3 notes could be truncated when transport was started exactly at beginning of a chord
• Eliminates zippering audio artifacts when modulating some parameters
• Fixes issue where re-installing a .omnisphere library caused many dialogs to popup.
Omnisphere Patches 2.4.0d
Includes the following features and fixes:
• Adds Keyscape’s Velocity Curves presets
• Numerous tagging improvements
• All patches from the former “Kalimbascope” category have been
incorporated into “Ethnic World”.
Installation Instructions:
1- Install software Update “Omnisphere Software Update.exe”
2- Run Keygen as administrator.
3- Patch both 32-bit and 64-bit plugins in Their Vst directories. Also patch plugins in C:ProgramDataSpectrasonicsplug-ins. To make this work properly in Avid Pro Tools. Because AAX plugin is just a wrapper.
4- Start DAW software. Open an instance of Omnisphere and copy the challenge code and paste it in the keygen.
5- Generate Response code and copy it in the Omnisphere proper box.
6- Now you have Omnisphere 2.4 Full Version. Restart Omnisphere to finish the registration process.
For MacOSX:
1- Use batchmod to change prefs on omnisphere.component after you installed the update (make sure you have apply to folders etc. Checked)
2- Open up the patch with crossover or use WineBottler to run exe file in Macintosh
3- Click patch and go to macintosh hd/libraries/audio/plugins/components/omnisphere.component/contents/macOS/omnisphere patch it
4- Enjoy Omnisphere 2 Activation Code Latest Full Version.
on Oct 23, 2015 in Synths & Sound Design 0 comments
Spectrasonics Omnisphere is known as one of the most powerful and best sounding software synthesizers on the market. It has just received another boost into the audio production stratosphere with its extensive 2.0 update, attracting new users and fans for its sound quality and design. It’s easy to get wrapped up in exploring and playing the thousands of patches available, especially the new additions. And without fault, there are so many usable sounds right of the box that can be used to enhance any production. Producers and composers alike should indulge!
That said, the purpose of this article is to explore the basics of custom synth patch creation using the powerful and easy to use interface in Omnisphere. Not only is the interface design intuitive, but also the complexity of what’s possible can keep the most seasoned music producers busy for months, if not years! If you do a search for custom Omnisphere patches, there are gurus out there selling their wares or offering free downloads of their creations. For those of you starting out with software synth programming, Omnisphere is a worthy investment and a good place to start.
In this article, I will give an overview of how to begin to program synth patches and very quickly find unique and inspiring sounds. I’ll go over types of waveforms, routing and using the modulation sections, where all the magic happens. Along the way, I’ll share some audio clips of my progress. By no means will I be able to cover everything is this short article, but I hope it inspires you to explore Omnisphere or another favorite software synth in your DAW. Come along for the ride as I lead you through my process.
Omnisphere 2 Parameters List
In the Beginning: The Default Patch
When you load up Omnisphere into your DAW, the Default patch is loaded with a ‘SawSquare Fat’ waveform in the Synth window in the Oscillator section. This is the place where we can first select the basic waveform to build from or use a sample instead. For this article, we will be building from the synth generator. There are dozens of different waveforms to choose from including waveforms from Classic hardware synths, analog timbres and digital wavetables. I chose a classic Triangle wave from the top menu.
More Fun in the Oscillator Section
In the expanded oscillator section you have the option to add additional synthesis including FM (Frequency Modulation), Ring Modulation, Waveshaper and choose between Unison, Harmonia and Granular. They all change in the sound in different ways depending on your starting waveform so I would suggest staying in this area for quite a while and explore the options within each section. For my simple triangle wave, I chose to use the Unison section to fatten up the sound a bit. The Unison function makes slightly detuned copies of the original waveform and layers them to create the bigger sound. The spread slider widens the stereo field beautifully. Harmonia is great for creating chords by just pressing one note and Granular, a new synthesis feature in Version 2, is another specialized, but beautiful sound design option.
Synth Design Example 1—‘SawSquare Fat’, ‘Triangle’ and ‘Triangle with Unison’:
Playing with Modulation
Figure 4 – Quickly access Modulation drop down menu by right clicking on any parameter.
Back in the A section overview, I decided to play around with The Shape, Symmetry and Hard Sync sliders in the Oscillator section to bring more character to the sound. I also experimented with modulating each of these parameters through different LFOs operating at slightly different, slow rates. I quickly discovered that I was starting to create an interested Pad sound with evolving character. At this point I also went to my Amp Envelope section and adjusted the attack and release so that it was smooth on both ends when changing between chords. I also turned on the main Filter and modulated the Cutoff through LFO 4. I’ve included both samples with and without the Modulating filter cutoff so you can hear the difference. All these adjustments changed the sound dramatically from the previous ‘Unison’ example, as you’ll hear below.
Synth Design Example 2—Designing a Dynamic Pad Sound with Modulation routing, Filter and Amp Envelopes:
Figure 5 – Modulation Matrix Window in Omnisphere.
The Modulation section matrix window is a great place to try different sources and targets. Anything in the Oscillator section can be modulated with LFOs, envelopes and assigned to controllers like mod wheels. I felt more comfortable navigating this Mod section in particular compared to other software synths I’ve worked with.
Save and Tag your Custom Patch
One of most important steps in Synth patch creation is to save and tag your new sound so you do not loose all your hard work and time. You may find a few different variations of a patch during your synthesis process that warrant saving, naming and tagging for different musical purposes. The First step is to save your sound in the ‘User’ directory, make a Category for (in this case ‘Pad Sounds’) and then name your patch. In the ‘Edit Tags’ Screenshot below, I assigned some adjectives to the various attribute types available. I also added my name to the list as an author of that particular patch. It is important to be as detailed as possible so you can find the patch later when searching for similar sounds.
Figure 6 – Creating Tags for Custom Patches in Omnisphere.
Fun with Effects and Arpeggiation
Having completed one pad sound, I used it as a starting point to design another usable sound. I didn’t touch on the FX or Arpeggiator sections in the previous example, so I experimented with those to come up with another synth sound. I was interested in doing something more rhythmic and staccato. First, I made adjustments to my Amp envelope so I had a shorter Attack and Release. Then, I tried out some Arpeggiator presets, selected something close to what I was looking for, and then edited the timing and velocity. In the FX section, there are tons of directions to go with the sound. In this patch, I settled on using one of my favorite new FX in Omnisphere called Innerspace, an Envelope filter and Stereo Imager. My new result is featured below:
Synth Design Example 3—with Arpeggiation and FX:
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Figure 8 – FX Section Rack with Innerspace, Envelope Filter and Stereo Imager.
A World of Possibilities… Guided by You!
The world of synth programming is open to all producers and musicians regardless of experience. Software synths in particular are becoming so accessible that anyone can start to create unique sounds quickly. As I discovered on my journey, my custom patches started with a simple triangle wave and become so much more with just a few adjustments to various parameters. Whether you use Omnisphere or another synthesizer, I hope you feel encouraged to spend time exploring what’s possible.