Spectrasonic Omnisphere Power Synth 2

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Spectrasonics Omnisphere 2.6 VST AU + Sound Library
Size 63.5 Gb

Omnisphere 2.6 – Endless Possibilities

Djay pioneer ddj sb3 profile. A detection window will appear next asking to use or not the pre-defined audio setup with the built-in sound card of the Pioneer DDJ-RR. Click on the ' Use Soundcard' button if your speakers are connected to the Master Output of the DDJ-RR. The unit is now ready to operate. Midi Operation The unit should be visible in the CONTROLLERS tab of Config and the “factory default” available/selected from the Mappings drop-down list.

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Spectrasonic Omnisphere Power Synth 2010

Omnisphere 2 is the flagship synthesizer of Spectrasonics – an instrument of extraordinary power and versatility. Top Artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.

Hardware Synth Integration

Omnisphere 2.6 is the only software synth in the world to offer a Hardware Synth Integration feature. This remarkable innovation transforms over 65 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Simply put, this ground-breaking feature makes using Omnisphere feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of Omnisphere by using the familiar layout of their supported hardware synth. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of Omnisphere!

Tutorial
New Hardware Sound Library

Omnisphere 2.6 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not!

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Omnisphere 2.6 New Features

  • Now includes over 12,000 inspiring sounds for all types of music production
  • New Interface with enhanced browsing and zooming into deeper synthesis levels
  • Audio Import—Use your own audio file as a soundsource in Omnisphere 2.6
  • Over 400 New DSP Waveforms for the Synth Oscillator
  • Sound Match feature instantly locates any related sounds in the library
  • Sound Lock feature gives endless variations by locking sound aspects while browsing
  • New Spotlight EDM library with cutting-edge, modern sounds
  • Powerful New Granular Synthesis algorithm for amazing transformations
  • 58 incredible FX Units, which are fully integrated and can be modulated
  • Creative Psychoacoustic sounds from the renowned Spectrasonics sound design team
  • Wavetable Synthesis—Each waveform is now a Morphing Wavetable
  • ORB circular motion interface allows infinitely-shifting variations
  • Deeper FM / Ring Modulation capabilities for aggressive timbres
  • Dual Filter architecture includes more than 28 filter algorithms in series or parallel
  • Performance-oriented Live Mode allows for seamless patch layering on the fly
  • Flex-Mod modulation system allows powerful, modular-style matrix routing
  • Stack Mode interface allows for complex patch-layering, splits, and crossfades
  • New mini-browser available at all times plus larger full browser design
  • Up to 10 oscillators per patch can be either DSP synth or sample-based
  • Eight independent Arpeggiators with unique Groove Lock feature
  • Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
  • Six full-featured LFOs per patch, with syncing and complex waveforms
  • Eight Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
  • Easy Sound/Project Sharing for collaborators and third-party libraries
  • Sample-based soundsources can be processed with synthesis features

Omnisphere 2 Free Crack

SYSTEM REQUIREMENTS FOR ALL USERS

• 2.4 GHz or higher processor
• 8GB of RAM or more recommended
• 84 GB of free hard drive space

Mac Users:

• OS X 10.11 El Capitan or higher
• AU, VST 2.4 or higher
• 64-bit host

Omnisphere 2 Torrent

Windows Users:

• Microsoft Windows 7 or higher
• VST 2.4 or higher
• 64-bit host


Spectrasonic Omnisphere Power Synth 2 Keygen

• Now includes over 14,000 inspiring sounds for all types of music production
• Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
• Audio Import - Use your own audio file as a soundsource
• State of the Art Arpeggiator with many unique features
• Over 500 DSP Waveforms for the Synth Oscillator
• Sound Match™ feature instantly locates any related sounds in the library
• Hardware Library with distinct ‘classic analog’ flavor
• Powerful Granular Synthesis for amazing transformations
• 58 incredible FX Units, which are fully integrated and can be modulated
• Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
• Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
• Wavetable Synthesis - Each waveform is a Morphing Wavetable
• ORB circular motion interface allows infinitely-shifting variations
• Deeper FM/Ring Modulation capabilities for aggressive timbres
• Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
• Performance-oriented Live Mode allows for seamless patch layering on the fly
• Flex-Mod™ modulation system allows powerful, modular-style matrix routing
• Stack Mode interface allows for complex patch-layering, splits, and crossfades
• Up to 20 oscillators per patch can be either DSP synth or sample-based
• High Resolution resizable Interface with “Zooming” into deeper synthesis levels
• Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
• Eight full-featured LFOs per patch, with syncing and complex waveforms
• Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
• Easy Sound/Project Sharing for collaborators and third-party libraries
• Sample-based soundsources can be processed with synthesis features
…and much, much more!