Sep 03, 2016  Watch my Spectrasonics Omnisphere 2 Review and Demo Video, where I give my review of the plugin on the user interface, sound quality and features. Check out my Free Products for Composers!

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KEYSCAPE� is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From �holy grail� pianos to stunning keyboards you didn�t even know existed, this is a keyboardist�s dream come true.

1. It will ask you to reboot an instance of omnisphere (no need to fully close FL) and if you did it right, it should boot normally. If you fucked up, then the authentication process will show up again. Hope this helps. Edit: patch omnisphere.dll not fl studio sorry, am high af rn and brain got lost.
2. Video tutorials We will be continually adding tutorials in this space, giving you more info about how to get the most out of Omnisphere. You can view the videos online.

Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multisampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to PLAY!

The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally �right.� This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone.

While it�s every performing keyboardist�s dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing �unreal� sounds with the powerful STEAM Engine� under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future.

Custom Controls
The Custom Controls presented for each Patch allow you to go far beyond the original sound. The intuitive interface includes useful performance controls and high-quality creative effects processing specially crafted for each Patch. Hundreds of included Patches showcase the remarkable versatility and ability to dramatically customize these iconic sounds to your music.

Authentic Expression
With many of these collector instruments, it�s really the imperfections that make them so interesting. Instead of cleaning up all the quirks and noises they make, we made sure to closely capture them since they are a big part of their vibe. In addition to that, our software team closely modeled the authentic behavior and mojo of vintage amplifiers, classic effects units, and unique subtleties like mechanical noises, pedal noises, and release overtones to bring these sounds to a whole new level of authenticity and dynamic expression.

Hybrid “Duo” Sounds
Along with the hundreds of patches based on the 36 instrument models, Keyscape includes special hybrid “Duo” sounds which combine two of the instruments to create something entirely new. The unique timbre of these Duo patches make them some of the most creative and inspiring sounds in Keyscape!

Omnisphere Integration
As a bonus for Omnisphere 2 users, Keyscape also integrates fully as a satellite instrument within the Omnisphere� interface. Keyscape will simply appear as a library inside Omnisphere�s browser for users of both plugins. This capability allows Omnisphere 2 users to harness additional functionality like Live Mode, Stack Mode, Multitimbrality, endless FX routings and the full synthesis power of the STEAM Engine� to explore endless new sonic possibilities and combinations.

Technical Specifications

� Huge library with over 500 �Best-in-class� sounds, 36 Instrument Models and Hybrid �Duo� Patches
� Deeply Multisampled sounds with up to 32-way velocity switching, Round Robins, etc.
� Mechanical Noise, Pedal Noise and Release Noise behavior modeling
� Patches feature authentic circuit modeled amplifiers and effects
� Available as Download (77 GB) or Boxed USB Drives Edition
� Optional �Lite� installation (30 GB) for stage use
� Full Omnisphere� 2 integration

PC/MAC

BIG THANKS TO TEAM P2P

ENJOY

PLEASE SEED THANKS

Size: 71.62 GB

Omnisphere is the dreamchild of Spectrasonics and the wonderful Eric Persing. On the surface, Omnisphere seems like another wonderful sounding software instrument with a great library of sounds, great effects, and a sweet synth engine. The interface is uncluttered and easy to navigate compared to other synths, but under the surface.. lies a beast.

Some people are happy with Omnisphere’s top-level user interface. ‘Oh, I have an Amp, Filter, and Mod envelope’ they say. ‘Oh how quaint, I can route the ModWheel to and LFO’s depth’ they say. ‘There are 6 LFOs? Wow!’

Then some people look a little closer and see that next to the Envelopes, Modulation and LFO areas, a curious little magnifying glass beckons. Innocently enough, they click on the little symbol, and the revelation within turns their minds to a gloopy jelly. Omnisphere has some serious modulation going on.

A quick recap on modulation. Modulation is when we assign an envelope, LFO, controller, or other modulation source to control a parameter of a synthesizer. For instance, if we have a sine wave LFO assigned to control a pan knob, we’ll hear the sound move between the left and right channel according to the speed and shape of the LFO assigned.

For this article—which I could easily stretch into a book, but will hold back—we are going to explore some of the more advanced LFO and Envelope types, and then assign them in the Mod Matrix! Mind melting fun.

Step 1 - Get to Know the Modulation Matrix

The Modulation Matrix can be found by heading over to the Modulation section of the Omnishpere Edit window and selecting the magnifying glass. When clicked, the magnifying glass will reveal the following screen:

Do not be afraid. This screen is going to give us the power we need to route any modulation source to any target. The targets will be any parameter of Omnisphere’s Oscillator, Filter, or Amp sections. In addition, we can also assign sources to control parameters of the LFOs, Envelopes, and Morphing inputs as well! More about that later..

Step 2 - Assign an LFO to Panning

Let’s start simple. To assign an LFO to modulate the panning of the amplifier, Simply choose ‘LFO 1’ from the source area, and then assign Amp > Pan in the target area.

Now we have LFO 1 controlling panning, but all the time. This could be annoying, and make us a little seasick after a while of listening. What would be good is to use something like the ModWheel on our controller to control how much the LFO is going to affect panning.

This is called ‘Second Order Modulation’. Congrats. You are now officially a sound junkie. Second Order Modulation is simply a modulation source controlling the parameters of another modulation source.

To create second order modulation where the ModWheel is controlling the depth of the LFO, assign ‘Wheel’ as a source, and ‘LFO1 depth’ as the target.

We can still hear the LFO altering our panning, but less.. and when we turn the wheel up, the panning is accentuated. To have the LFO depth completely zeroed out when the ModWheel is down, simply turn the target parameter slider to the left until it reads ‘0’.

We can hear now that the panning isn’t as extreme as it was before.. try altering the ‘Depth’ parameter of the Wheel in the Mod Matrix. Now we have the LFO back to its full range of motion.

Step 2 - Getting to know your LFOs

To get out of the Mod Matrix, simply click the magnifying glass next to ‘Mod Matrix Zoom’ again. Head over to the LFO section, and make sure LFO 1 is selected.

To change the LFO waveshape, simply click on the up and down arrows next to the LFO wave. Change it to a sine wave shape:

Now check out the little blue ‘+’ symbol above the arrows we were just clicking. When lit, this means the LFO is moving in only a positive direction, in the case of panning, we would be getting center to right. When we turn this parameter off, the sound will now pan in both a positive and negative direction, panning through the full stereo field. Have a look in the Modulation area, and we can see how the LFO’s range changes.

Below the waveform, we can see that the LFO is set to ‘Legato’. This means the LFO will only retrigger if we lift our finger off of a note and strike a new note. If we hold a note down, and move to another note while it is held, the LFO will simply continue. There are 3 other modes:

• Free—The LFO runs without retriggering
  
• Note—The LFO restarts on every new note pressed
  
• Song Position—When the DAW song starts, so does the LFO
  

When the LFO is set to ‘SYNC’, it will follow the tempo of our song.

Delay will delay the oncoming LFO, Rate is for the speed, and Depth is basically the ‘how much?’ knob.

Okay. Now for some envelope action.

Step 3 - Get to Know Your Envelopes

The envelope that will always be assigned to a synth is the Amplitude Envelope. Let’s head over there now.

How simple! ASDR.. Attack, Sustain, Decay and Release. These are the most popular stages of an envelope.

• Attack - How long the envelope takes to come on
  
• Decay - How long it takes to reach the Sustain stage
  
• Sustain - What value the Envelope will hold at while a MIDI key is pressed
  
• Release - How long it takes for the envelope to return to a zero state
  

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Now, let’s look under the hood. Click that little magnifying glass next to the ‘Envelopes’ sign and..

Now we’re talking. Let’s add some points on the line by or right-clicking in the envelope line area, and mess around a bit. Notice that when right-clicking we get a list of some interesting preset line shapes:

Try adding some of these types and listen to what they do. Alter the curve between points by simply grabbing the line between the dots, and pull up or down. Now we can create whatever shape of envelope we like

Step 4 - Use Preset Envelope Shapes

Now for the crazy stuff. Click and hold on the disclosure triangle next to ‘Envelopes Zoom’ and choose Rhythmic Envelopes > Fancy Groove. Check out that crazy envelope!

Hold down a note and listen to it. Interesting, huh? Now let’s sync the envelope to our song by selecting the ‘Sync’ button on the lower right. When recording in a DAW, the envelope will now sync to the song. As you can imagine, this makes for some very interesting possibilities if we were to head back over to the Mod Matrix!

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Step 5 - Go Nuts!

With these tools, go back over to that Mod Matrix and GO CRAZY! We have 6 LFOs and 6 Envelopes, for goodness sakes. Imagine the possibilities!