Usb Audio Interface Mac Garageband

GarageBand not recognizing audio from my interface I want to keep the details short but I’m just so frustrated. I bought a Resident Audio T4 interface about a month ago, and still have yet to. Nov 20, 2019 The only audio interface that has never given me any problems at all. It is a high speed 8×8 USB 2.0 audio interface. It uses MX Core DSP technology, it has 4 preamps with award winning M-Audio Octane technology. Works well on both Mac or PC and comes with 6 balanced analog outputs. Apogee Duet is an award-winning audio interface, headphone amp and MIDI interface making it easy to create professional recordings anywhere on your iPod touch, iPhone, iPad or Mac. With Apogee's legendary digital audio conversion and world-class mic preamps, Duet is the best way to capture your music with incredible dimension and detail.

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In this feature I ditch the recording studio and take a look at the best portable interfaces for GarageBand musicians who want the freedom to record anytime, anywhere.

The beauty of an app like GarageBand for iOS is that you no longer need to spend ludicrous amounts of money renting studio time or wait until your ‘big break’ to write, record and release your own music.

If you want your DIY music to sound its best however, you’ll need to ditch that inbuilt mic on your iOS device and invest in an audio interface of some kind.

There’s tons of choice out there and it can be hard to work out what interface is right for you. I’ve brought together 3 of the best portable recording interfaces on the planet to help you narrow down your options.

Let’s take a look.

£74.99/$99.99

Compact, portable, and easy to use, the Roland GO:MIXER makes it simple to record high-quality audio with your iDevice.

With multiple inputs available, you can connect a mic, musical instruments, and media players and mix them all together at the same time.

The unit features the ability to combine five sources at once via inputs for a ¼” jack vocal mic (no XLR input or +48 V Phantom Power here), guitar, stereo keyboard, and two stereo line-level devices (such as music players, drum machines, etc.).

The quality is great, assuming you don’t clip/peak the audio. There is a dial for each main instrument input as well as a master volume dial to adjust as appropriate. The GO:MIXER also has a peaking LED which is useful to have.

All in all this little box is incredibly versatile, though the lack of XLR input or 48v Phantom Power would definitely prove limiting for some.

Tech Specs

  • Inputs: 8 channels
  • Outputs 2 channels
  • Connectors INSTRUMENT (L/MONO, R) jacks: 1/4-inch phone type
  • LINE IN 1 jack: Stereo miniature phone type
  • LINE IN 2 jack: Stereo miniature phone type
  • MIC jack: 1/4-inch phone type (no plug-in power)
  • GUITAR/BASS jack: 1/4-inch phone type (high impedance)
  • MONITOR OUT jack: Stereo miniature phone type
  • USB port: USB Micro-B type USB Bus PowerCurrent Draw40 mA
  • Accessories: Lightning to USB Micro-B type cable (50 cm, 1 ft 7 inches)
  • USB OTG Micro-B type to USB Micro-B type cable (50 cm, 1 ft 7 inches)

£81.99/$119.99

Focusrite has a great track record for producing extraordinarily high quality USB and Thunderbolt audio interfaces for Mac and PC. With the iTrack Solo Lightning, they’ve packed most all of the killer features from their range into this little box.

While it is smaller and lacking a few of the features of some of Focusrite’s more expensive units , the iTrack Solo packs enough of a sonic punch to hold its own against most other interfaces at this price range.

The mic preamp used here series are nothing short of phenomenal, giving you clean and clear recordings every time. There’s also +48 V Phantom Power available, so you can use a studio quality condenser microphone to really push the quality of your recordings to the next level.

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Super-low latency brings confidence to your performance, letting you record and monitor with software effects in real time.

New gain controls and a sleek metal chassis underscore its industrial design – this thing can take one hell of a beating!

Tech Specs

  • 1 microphone input – XLR, 1 Instrument input ¼’ unbalanced, 2 Gain knobs,
  • 48V Phantom power switch, Direct monitor switch
  • 2 unbalanced monitor outputs – RCA Phone, DEVICE LINK port (to connect iTrack Solo to iPad)
  • USB 2.0 Port, Kensington Lock slot
  • Supported sample rates 44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz – Mac and PC 44.1 KHz, 48 KHz – iPad
  • In the box: iTrack Solo, 1.2m USB cable, 1.2m “DEVICE LINK” cable (to connect to a Lightning iPad), Getting started guide, Registration card, USB power supply (US only)
  • Compatible with: iTrack Solo Lightning: Any iPad with Lightning connector, Standard iTrack Solo: iPad (1st gen), iPad (2nd gen) and iPad (3rd gen)


Mac

£127.99/$149.99

iRig Pro I/O is a pocket-sized full-featured audio and MIDI interface that gives you 24-bit/96kHz recording studio quality sound everywhere you go with a few additional essential features for mobile recording.

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Its designed to be “plug and play” and easy to use with all of your gear — studio mics, vocal performance mics, guitars, basses, keyboards — whatever it is, iRig Pro I/O can probably handle it.

It features a new 1/8″ stereo headphone out with preamp and level control, making it compatible with even the most recent iOS devices. Plus, when used with the optional DC power supply, the unit will charge your iPhone or iPad while in use for unlimited playing and recording time – super handy!

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The Pro I/O also features a new MIDI Out jack that gives you even more flexibility and control over your outboard MIDI gear.

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Despite it’s small size the iRig Pro I/O has it where it counts, packing the features you’d expect from a full scale audio interface into it’s sleek form factor.

Tech Specs

  • High definition 24-bit/96kHz audio plus MIDI interface for iPhone, iPad, Mac, PC and Android devices
  • Connects to everything, yet easily fits in your laptop bag, gig bag or pocket
  • Neutrik™ combo input for guitar, microphone or other instruments with a professional quality preamp, phantom power and gain control
  • iPhone 7 ready with integrated headphone output with volume control
  • Powered via USB bus, two AA batteries or the optional iRig PSU 3A (PSU simultaneously charges iOS device)
  • Detachable Lightning and USB cables included for connection to iPhone, iPad, Mac and PC (MFi certified)
  • Comes with a Velcro strip to secure iRig Pro I/O to a mic stand
  • Comes with over $/€550 worth of full version Software & Apps

There you have it, that’s my top 3 favourite portable audio interfaces for use with GarageBand for iOS.

Apr 20, 2017  The new De-bleed audio plug-in and module in iZotope RX 6 reduces the leakage of one signal into another. De-bleed can can help reduce or eliminate bleed from headphones, click tracks, multiple mics with small amounts of cross bleed, and even some drum bleed issues. Some dialogue problems can’t be fixed. Distortion, errant sirens, wind gumming the microphones—it’s impossible. The truth is, with iZotope RX, you can fix all sorts of previously impossible problems. Here are six tips to get you out of a dialogue bind. Ambience Match lets you match the noise floor of one recording to another recording. Fill in consistent ambience beds under constructed sentences and ADR lines right from within Pro Tools AudioSuite. No more spending hours of time manually looping sections. Izotope rx fill in with another mic. RX 7 Advanced. Designed specifically for the demanding needs of post production professionals, RX 7 Advanced continues to lead the audio post production industry with powerful restoration tools used in major film and television projects worldwide.

Is your favourite on the list? What did I miss out? Leave a comment and let me know, or come and join the conversation on Facebook and Twitter.

You can create Aggregate Device to increase the number audio inputs and outputs available at the same time. You can also use an Aggregate Device if your application doesn't support separate input and output devices.

With Logic Pro, GarageBand, and MainStage, you can use a separate device for input and output. For example, you can use a USB microphone for input and the headphone jack of your Mac for output. Some applications not manufactured by Apple don't support separate input and output devices.

Set up an Aggregate Device

When you create an Aggregate Device, make sure to connect all external audio interfaces first.

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  1. From the Finder, choose Go > Utilities. Open the Audio MIDI Setup application.
  2. Click the Add (+) button on the bottom-left corner in the Audio Devices window and chose Create Aggregate Device.
  3. A new Aggregate Device appears in the list on the left side of the window. To rename the device, double-click it.
  4. With the new Aggregate Device selected, enable the checkbox labeled 'Use' on the left side of the Audio Devices window. Do this for each device you want to include in the Aggregate Device. The order in which you check the boxes determines the order of the inputs and outputs in applications like Logic Pro and MainStage. For example, the first box you checked will be inputs one and two, the second box checked will be three and four, and so on.

    The list on the right shows the currently connected audio devices and the number of input and output channels for each one.

  5. To use the clock of a device as the master clock for all the combined devices, choose the device from the Clock Source menu of the Aggregate Device. Choose the device with the most reliable clock.
  6. If your audio devices all work with word clock, connect them together using a word clock cable. Connect the cable from the device you designated as Clock Source to the input of each other device. Refer to your audio device product documentation for specific details.
  7. If any of your devices don't work with word clock, select the Drift Correction checkbox for any devices not designated clock master.

Use an Aggregate Device with Apple music creation software

  1. Open your application.
  2. Do the following depending on the application you're using:
    • For Logic Pro, choose Logic Pro X > Preferences > Audio, then select Devices.
    • For GarageBand, choose GarageBand > Preferences > Audio.
    • For MainStage, choose MainStage > Preferences > Audio.
  3. Choose the Aggregate Device from the Output Device pop-up menu. Logic Pro and GarageBand automatically set the Input Device to the match the selected output device, which you can change if you want to use a different input device. In MainStage, you must manually select the input device.
  4. In Logic Pro and MainStage, click Apply Changes.
    GarageBand automatically switches to the new input device.

Use the Aggregate Device as the sound output of your Mac

When you set the Aggregate Device as the sound output for your Mac, sounds from other apps on your Mac play through the Aggregate Device. The Aggregate Device also becomes the System Setting option in the Output and Input Device menus of your Apple music creation apps.

  1. From the Finder, choose Go > Utilities. Open Audio MIDI Setup.
  2. Control-click the Aggregate Device in the left column, then choose 'Use this device for sound output' or 'Use this device for sound input.'